90 Miles From Tyranny

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Sunday, February 12, 2023

Report: Age-stratified COVID-19 vaccine-dose fatality rate for Israel and Australia


Correlation Research in the Public Interest has published a new report entitled “Age-stratified COVID-19 vaccine-dose fatality rate for Israel and Australia”.

The report was authored by Denis G. Rancourt, Marine Baudin, Joseph Hickey, and Jérémie Mercier.

In the report, the vaccine-dose fatality rate (the ratio of vaccine-induced deaths to vaccine doses delivered in a population) from the COVID-19 vaccines is found to increase exponentially with age and to be close to 1% for the oldest age group.

The authors also estimate a global total of approximately 13 million deaths from the COVID-19 vaccines.


The report contains a detailed explanation of the methodology used, with accompanying technical appendices.

Download a copy of the report below:
2023-02-09 Correlation–Age-stratified-vaccine-dose-fatality-Israel-AustraliaDownload

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Righteous Tyrants


No, they’re not cutting off food supplies or building labor camps but these modern-day tyrants seek the same ends: crush the opposition and control the masses.

They sure don’t make tyrants like they used to.

Tyrants once rose to power the old-fashioned way: defeating the opposition on the battlefield or at the faux ballot box. Despite their atrocities, these despots at least had some swagger—perhaps a way with the ladies, a good sense of humor, strong persuasive abilities, commanding verbal skills, pride in their appearance.

Not so with modern-day martinets. Our 21st-century tyrants possess nothing more than useless degrees from woke institutions and deep contempt for at least half the country, likely born out of a lifetime of social isolation. History, after all, shows that outcasts often seek revenge against their childhood tormentors later in life.

Such appears to be the case with the former Twitter executives who testified before the House Oversight Committee on Wednesday. Unimpressive by every measure—looks, personality, intellect, persuasiveness, grasp of the facts—the Twitter Four should serve as a reminder of what the defenders of freedom are up against. Thankfully, our enemies, while powerful for now, have the mental, physical, and emotional appeal of overcooked spaghetti.

James Baker, Vijaya Gadde, Yoel Roth, and Anika Collier Navaroli took the quasi-stand this week at a House Oversight Committee hearing to explain their roles in colluding with the government to suppress free speech during an election year, particularly related to the New York Post’s coverage of the Hunter Biden laptop story in October 2020. Baker, the former general counsel for the FBI when the bureau used fabricated political opposition research to defraud a secret federal court and obtain a warrant to spy on Donald Trump, was fired by Elon Musk as Twitter’s general counsel after it was discovered Baker was vetting company files made available to independent journalists.

Roth, Gadde, and Navaroli were considered the “custodians of the internet,” Roth boasted in a New York Times opinion column published in November, shortly after he resigned. “The work of online sanitation is unrelenting and contentious,” Twitter’s former head of “trust and safety” lamented. Roth then outlined a series of steps the government, private companies, and Big Tech oligarchs should pursue to rein in Musk.

“In the longer term,” Roth warned, “the moderating influences of advertisers, regulators and, most critically of all, app stores may be welcome for those of us hoping to avoid an escalation in the volume of dangerous speech online.”

That sort of hubris was on full display this week as the Twitter Four defended their crusade to censor users on the Right, including the suspension of Trump in January 2021. In the process, these self-proclaimed warriors of truth and integrity revealed themselves to be nothing short of petulant foot-stompers unfit for employment anywhere outside of Silicon Valley or the government. Further, all four were clearly guided by their hatred for Trump and his supporters, contrary to their solemn assurances that decisions were based on unbiased considerations to protect the site from insidious content.

For example, Gadde retweeted a Nicholas Kristof piece in 2016, emphasizing Kristof’s conclusion that he had “never met a national politician in the U.S. who is so ill informed, evasive, puerile and deceptive as Trump.” She, like 98 percent of people working in Silicon Valley, is a generous contributor to Democratic Party officials and candidates.

She reportedly cried when she learned Musk had acquired the company.

But Gadde’s attempts to hide her partisan stripes failed this week. In a nonsensical explanation only an Ivy Leaguer could love, Gadde told committee members about the inner workings of the social media giant.

“Defending free expression and maintaining the health of the platform required difficult judgment calls,” claimed Gadde, who was largely responsible for the decision to ban Trump’s account after January 6, 2021. “Most applications of Twitter rules were fact-intensive, subject to internal debate, and needed to be made very quickly. We recognized that after applying those rules, we might learn that some of them did not work as we had imagined and that we would need to update them. At times, we also reversed course.”

Coincidentally, just like occurrences in the traditional media, those rules and course reversals only affected one side: the Right. But when challenged to explain the imbalance, Gadde played dumb. She said she could only “make a guess” as to the application of a “search blacklist,” a tool that was frequently used by Twitter to hide the accounts of conservative influencers.

Vaccine-injured Representative Nancy Mace (R-S.C.) angrily confronted Gadde about Twitter’s censorship of contrary views on COVID-19, especially vaccine efficacy. After forcing Gadde to admit she did not graduate from medical school, Mace presented tweets with CDC data on vaccine side effects that...

Morning Mistress

The 90 Miles Mystery Video: Nyctophilia Edition #1292


Before You Click On The "Read More" Link, 

Please Only Do So If You Are Over 21 Years Old.

If You are Easily Upset, Triggered Or Offended, This Is Not The Place For You.  

Please Leave Silently Into The Night......

The 90 Miles Mystery Box: Episode #1992


You have come across a mystery box. But what is inside? 
It could be literally anything from the serene to the horrific, 
from the beautiful to the repugnant, 
from the mysterious to the familiar.

If you decide to open it, you could be disappointed, 
you could be inspired, you could be appalled. 

This is not for the faint of heart or the easily offended. 
You have been warned.

Hot Pick Of The Late Night

 

Saturday, February 11, 2023

Girls With Guns

Visage à trois #769

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Even White Paint Is Racist Now


Has white paint contributed to white supremacy?

The identity politics industry is on the qui vive to discover symptoms of racism unrecognized until now. Whiteness, a barrier to racial justice, is a malign condition to which “white” people are peculiarly susceptible. Hidden clues are everywhere. None are too absurd to go unexamined by race-stalkers in academia. Even white paint is suspect.

Are there racist implications to the many global uses of the chemical compound titanium dioxide (TiO2)? Has the pigment derived from it — titanium white — contributed to white supremacy? Is the universal prevalence of titanium white a signifier of oppressive Western ideology?

Whiteness studies are a gravy train for grant-seeking academics throughout a declining West. Since TiO2 and titanium white were developed by two Norwegian chemists in the 1910s, Norway is funding an audit of its own role in the spread of white privilege.

The Research Council of Norway has granted 12 million Norwegian Krone (about $1.2 million) to the University of Bergen to “investigate” the baneful “planetary consequences” of white paint. Entitled “How Norway Made the World Whiter (NorWhite),” the project states its claim on public funding: “Whiteness is one of today’s key societal and political concerns.”

An additional $288,000 from the Norwegian Artistic Research Program goes to Oslo National Academy of the Arts for a sister project: “The Materiality of White (MoW).” This postmodern grift ponders whiteness in the concrete, the solid stuff of it: “The aim of the project is to highlight TiO2’s materiality and ubiquity, and to contribute to critical thinking on the color white and its mineral origin.” MoW asks the decisive question: “Do we need our world to be more white?”

The answer was baked into the initial grant applications. This joint “theoretical and critical reflection” on TiO2 points in one direction: to the stigmatization of “white” people — of whatever ethnicity — by other means. The project is an accredited version of the ancient practice of branding. The “problem” of whiteness is academia’s variant of the mark of Cain, a stain on...